People don’t read poetry. Maybe they stopped when TV was invented. And yet, like poet Wislawa Szymborska, I “clutch on to it, / as to a saving bannister.”
When I hear a great poem, a poem that takes my breath away, I am filled with so many emotions. Calm, for the moment I stopped and stayed silent and read it. Excitement to share it. Reflection at the beauty and nuances of its rhythms and images. So I saw it as a true gift when in my car, I heard the last few minutes of a reading poet Philip Levine did in 1992 when he was interviewed by NPR’s Terry Gross.
It’s a gift I need to pass on. This is the title poem from his prizewinning collection, What Work Is.
What Work Is
We stand in the rain in a long line
waiting at Ford Highland Park. For work.
You know what work is–if you’re
old enough to read this you know what
work is, although you may not do it.
Forget you. This is about waiting,
shifting from one foot to another.
Feeling the light rain falling like mist
into your hair, blurring your vision
until you think you see your own brother
ahead of you, maybe ten places.
You rub your glasses with your fingers,
and of course it’s someone else’s brother,
narrower across the shoulders than
yours but with the same sad slouch, the grin
that does not hide the stubbornness,
the sad refusal to give in to
rain, to the hours wasted waiting,
to the knowledge that somewhere ahead
a man is waiting who will say, “No,
we’re not hiring today,” for any
reason he wants. You love your brother,
now suddenly you can hardly stand
the love flooding you for your brother,
who’s not beside you or behind or
ahead because he’s home trying to
sleep off a miserable night shift
at Cadillac so he can get up
before noon to study his German.
Works eight hours a night so he can sing
Wagner, the opera you hate most,
the worst music ever invented.
How long has it been since you told him
you loved him, held his wide shoulders,
opened your eyes wide and said those words,
and maybe kissed his cheek? You’ve never
done something so simple, so obvious,
not because you’re too young or too dumb,
not because you’re jealous or even mean
or incapable of crying in
the presence of another man, no,
just because you don’t know what work is.
There is so much going on in this poem, and I hesitate to write more about it because a reader needs to sit with it for a while, read it over again, let herself feel the scene. The poem questions how, if not for work, a man becomes a man. It taps into our cultural notions of masculinity, how America was built, how workers function in larger society. And this kind of work is the kind that assumes a person is a machine, soulless, void of feeling and inspiration. It’s the kind of work people did, and do, so rich people can go out and buy something shiny.
What is work, beyond something which earns you money, which allows you to feed a few mouths and sleep under a roof? Levine encourages us to wonder if the hardest work is the work of human relationships, of love. And not only that, but the perseverance to seek a dream, to remember you are more than your work.
But really, forget me. Just read the poem again.
Congrats to Philip Levine on being elected U.S. poet laureate. Read more about his work here.
*Poem taken from The Internet Poetry Archive, where you can also listen to Levine read the poem.
And as always, use the comments section to share your thoughts!